They must sometimes put pressure on the latter in order to keep the production on track, timewise, and act as disciplinarians on set whenever a job or personnel conflict arises. They’re also in constant communication with the director and department heads, often relaying messages between them. “Running the set is always about making sure that everyone knows what’s happening right now and then what is happening next up,” explains first AD John McKeown (“Juno,” “Masters of Sex,” “The Night Before”). “Calling the roll,” which consists of cueing the different crew members in preparation of filming (they might call out, “Quiet on the set,” “Roll sound,” “Roll camera,” and “moving on”).Helping to prepare the call sheet (drawn up by the second assistant director ) and ensuring everyone on it is in the correct place at the correct time.Serving as middleman between the various crews and the director.Working with the director and cinematographer to craft a shot list for each production day.Breaking down the script into storyboard form.Keeping a shoot running smoothly and efficiently from preproduction to postproduction.The first AD is authoritative and must be cognizant of all departments, keeping everybody on track and in line depending on the production size, they may directly supervise a 2nd AD, 2nd 2nd AD, and 3rd AD.įirst assistant directors are in charge of: When it comes to the below-the-line crew, their role is among the highest. The first AD’s handling of the logistics onset allows the director to focus on the creative side of things. The responsibilities of the assistant directors on set will vary somewhat depending on how many a production has available. However, on larger sets there is the first AD, as well as the second AD and the third AD. For example, on small sets, there is often just one AD, who handles all AD responsibilities. The difference between the first assistant director and an “assistant director” is only in whether there are multiple on a given set. They serve as a manager, an organizer, and the liaison between the director and the cast and crew.įirst ADs work closely with the producers, production manager, and location manager to determine what every department on set needs and how long their various tasks will take so as to build a master schedule for the production. The first assistant director is responsible for running the entire set.
0 Comments
Leave a Reply. |